The biggest surprise to me? That the contract lasts for seven years. I’d highly recommend reading all of it, as painful as that might be. Be warned: the ACX contract is very long and complicated. My first experience with ACX came when I terminated contracts with my previous publisher and, long story short, ACX ended up transferring the audiobook contract to me. I’m now able to see detailed information regarding sales right on my dashboard, including a monthly downloadable PDF or Excel spreadsheet. It was all very confusing - so confusing, in fact, I had no plans to turn my other books into audiobooks. Sometimes I got a snail-mailed report other times I didn’t. At that time, I had no way of knowing how many audiobooks I’d sold. A couple of years ago I received a survey from ACX asking what I’d like to see improved, and that was my number one issue. It was nice to have codes that would work for all reviewers, regardless of location.Īnother positive change has been the addition of a detailed dashboard. I recently submitted a couple of audiobooks to a review site in which reviewers are from both the U.S. This is important, because the codes are country-specific. authors and producers a batch of 25 free Audible coupon codes upon publication, they will now send a batch of 25 UK codes, as well, if requested. In addition, while ACX has always sent U.S. One of the best changes is that ACX is now open to UK authors and producers. A couple of things have changed since then, so I thought it might be helpful to recap and walk through my most recent experiences with ACX. A couple of years ago Melissa Bowersock wrote a helpful post on her experience with using ACX to create an audiobook.
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